Examples of fog in literature

Pssst… we can write an original essay just for you. However, the significance of this poem lies not only in the latent power of its imagery, but also in the groundbreaking poetic tradition in which it participates, and of which it was one of the earliest examples.

World War I was raging, and bringing with it massive social changes, the repercussions of which we still feel today. In literature, and poetry specifically, the austerities of the war and the harshness of the reality which people the world over were being forced, for the first time, to face brought about an entirely new style. Works of literature composed at this time became crisper, less romantic, more realistic — and no genre exhibited this shift more obviously than the poem.

The metrical feet fall in what appears a random pattern, and none of the lines rhyme. Its brevity, tightly constructed lines, and overall conciseness almost put one in mind of a Japanese haiku.

This method of constructing a poem lends a particular force; the reader is more attentive than he might be if he were simply reading a paragraph in prose, and yet the naturalism of the word choices and the lack of rhyme imparts a realistic quality to the piece. This emphasis on realism, again, is a quality of the modernist movement, in which Carl Sandburg, as an Imagist poet, was writing.

The imagery in this poem is particularly unique, since it relies on a single metaphor to give it a focused center. The poem reads as follows:. The comparison of a cat to the fog is a very apt one, since cats and fog actually do share a few characteristics.

Both can be absolutely silent, and can creep into an area completely unawares. Similar to a drifting fog, the stereotypically defiant cat goes wherever it will and does what it pleases, regardless of the effect it has on its surroundings. Both cats and the fog are somehow mysterious and elusive, and both are notoriously fickle.

The testimony of cat owners from time immemorial affirms the idea that cats can change their moods in an instant, without rhyme or reason.

examples of fog in literature

Fog, too, is notoriously moody, arising or dissipating with a swiftness that is sometimes startling. The choice to connect cats and fog was truly inspired. In terms of poetic devices, Sandberg employs a few noteworthy ones which are very helpful in developing the overall metaphor and tone of the poem. In doing this, Sandburg is able to control the pace at which his reader takes in the poem, since the combination of short lines and free verse make it impossible to predict what the poet will say next, and require an attentive reading.

This slow, intentional reading reflects, in a way, the slow but inevitable approach of the fog as it rolls in.

examples of fog in literature

In this, he not only establishes himself as a fine example of the Imagist school of poetry, but also solidifies his place as one of the greatest poetic imaginations of our time. Columbia University Press, New York, Remember: This is just a sample from a fellow student. Sorry, copying is not allowed on our website. We will occasionally send you account related emails. Sorry, we cannot unicalize this essay. You can order Unique paper and our professionals Rewrite it for you.

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examples of fog in literature

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The Difference Between Mist And Fog

Suddenly, we have lost control of our world. This morning when I ventured out, before dawn, the November darkness had been replaced by something almost tangible. The sky had fallen in. Cycling was like riding through a cloud: a mist of micro-rain, weather made manifest.

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I doubt that anyone waiting for their plane to take off would agree, but there is beauty in this unseeing autumnal visitation, a sense of mystery which reaches back into our collective past. As Corton notes, it was believed that the suicide rate climbed sharply in November, with the onset of the fog. Art, too, was born out of the mist. And another American, James McNeill Whistlerwould build on this brilliant murk in his revolutionary Nocturnes, seeing the city, its lights and even its fireworks as glowing smears in the mist in his evocative painting of Battersea bridge.

Brutal as its effect might be, there was a sensuality to this phenomenon, too. In the second world war, fog conspired with the blackout to create any number of amorous situations, even in the doorways of Regent Street. Leanof course, was the past master at fog: witness his Great Expectations Fog was almost a reassurance in the s, as though it might protect the country from aerial attack.

By the s, it was finally identified as lethal itself, when it combined with industrial and domestic smoke. And 4, people died as a result of the effects of the fog.

A century before, Victorian newspapers had warned of the dangers, citing the suffering of animals, as though they were canaries in the mine. Yet despite persistent calls for action, free-marketeers argued that any restrictions on industry would affect economic growth and could not be countenanced. Nowadays we labour daily under an invisible evil of diesel, steadily poisoning us, courtesy of international manufacturers of combustion engines.

The Victorian pea-souper may have been deadly, but at least it was a visible peril. As I swam in the sea this morning, in the dark, I pushed out into the utter unknown. It was thrilling, and frightening, to be in a familiar place suddenly muffled in silence and deprived of all its markers.

Today being the feast of All Souls, it felt apt that I seemed to be swimming in the land of the dead. Facebook Twitter Pinterest. Topics London Opinion. Reuse this content. Order by newest oldest recommendations.

Show 25 25 50 All. Threads collapsed expanded unthreaded. Loading comments… Trouble loading? Most popular.A literary work does not necessarily become depressing or morbid simply because some of its subjects are gloomy, painful, or even grisly. Shakespeare's Macbeth gives us scene after scene of dark atmospheres, crime, natural and supernatural evil, horror, and insanity, yet the play has remained immensely popular for four centuries. Everything depends not on the subject itself but on the writer's treatment of it, meaning technique manner of presenting the story and prose style choices in word, phrase, and sentence.

Heavy, persistent fog is not something that tends to lift spirits and brighten faces. In a story, such a fog may even serve as a symbol of institutional oppression and human confusion and misery. The fog that Dickens creates for Bleak House serves him in exactly that way. And yet it is not, after all, a real-life fog, but a verbal description of the real-life thing. How that depiction is managed — in other words, "expression" — becomes the crucial point, the real issue. If, by plunging us again and again into the London fog, Dickens is trying to depress us, he is on shaky ground: All of us tend to seek pleasure and avoid pain.

If the writing — taken up with an open mind and given a fair trial — really depresses us, we are quite likely to stop reading and declare Dickens an impossible, unreadable author. But if we examine our actual response to the densely foggy and otherwise "implacable November weather" Dickens describes, we will find it to be something different from sheer depression or enervation.

Our response — the one Dickens wants us to have — is probably complex and ambivalent. True, Dickens sees the foggy mire of the London streets as a nuisance, an unpleasantness, a source of vexation and dispiritedness. But he also finds such an extreme condition interesting : Because they are rare or unusual, extremes in almost anything tend to generate interest. The fog is striking, piquant; it even has something of the glamour of the mysterious.

In short, Dickens is an artist who delights in imagination and who is in charge of his material as he imagines and writes things down — he is enjoying the fog he creates, and that enjoyment is inevitably conveyed to us as we read. In fact, part of what Dickens delights in as he puts the fog together word by word is his very ability to describe so interestingly.

We, in turn, admire if only unconsciously Dickens' mastery of the craft of writing — and admiration is a far from unpleasant thing for us to experience. There are even more obvious elements of the positive in Dickens' clear paragraphs about the fog. There are witticisms and jesting figures of speech, as in the idea of meeting up with a "Megalosaurus" or of the soot being like snowflakes "gone into mourning.

In sum, though Dickens certainly does make his fog symbolize muddles and miseries, and thus tie it in with his themes of social criticism, that isn't the whole story.

In the final analysis, our experience as we read is an experience not of fog itself, but of "expression — of the words that create the fog. It's a vivid creation, and the sentences and phrases that create it crackle with imagination, alertness, and energy. Previous Setting of Bleak House. Next Symbolism in Bleak House. Removing book from your Reading List will also remove any bookmarked pages associated with this title.

Are you sure you want to remove bookConfirmation and any corresponding bookmarks? My Preferences My Reading List. Bleak House Charles Dickens. Critical Essays The Fog A literary work does not necessarily become depressing or morbid simply because some of its subjects are gloomy, painful, or even grisly. Adam Bede has been added to your Reading List!In stories and in art, fog and mist symbolises a variety of related things: obfuscation, mystery, dreams, confusion and a blurring between reality and unreality.

Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great and dirty city.

Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats.

Chance people on the bridges peeping over the parapets into a nether sky of fogwith fog all round them, as if they were up in a balloon, and hanging in the misty clouds. It clears. For this exact reason, fog is strongly symbolically linked to the uncanny, or unheimlich — uneasy, eerie, bloodcurdling.

examples of fog in literature

According to Schelling, everything is uncanny that ought to have remained hidden and secret, and yet it comes to light.

This is how fog tends to be used in stories, too. A fog scene will naturally precede the Anagnorisis. We see it in The Othersin which the mother walks around in a fog, with the fog functioning as a barrier between herself and the other world.

Fog Analysis

Eventually she and the audience enjoy a big reveal. Levi Pinfold makes heavy use of fog in his picturebook Blackdog. They felt the castle long before they saw it, felt it as a wave of sleep that pushed them away. If they walked towards it their heads foggedtheir minds frayed, their spirits fell, their thoughts clouded.

The moment they turned away they woke up into the world, felt brighter, saner, wiser. In the short film below froma hedgehog character explores the local environment. This is a fairly utopian setting — creatures are going about their daily business — but the presence of fog creates an environment which is potentially deadly.

Threats — or potential threats — emerge suddenly out of the gloom. But the dog is revealed to be a harmless pet and simply runs off after inspecting Hedgehog. Eventually Hedgehog finds himself floating down a river, evoking river symbolism. Eventually it is nighttime and Hedgehog is reunited with his best friend. It is no longer foggy — darkness provides an unexpectedly safer cloak. You must log in to post a comment. This site uses Akismet to reduce spam.

Learn how your comment data is processed. Skip to content. First, a description of fog from classic literature: Fog everywhere. The queen and the dwarfs pushed deeper into the mental fog. Francheska Yarbusova, Russian artist; Hedgehog in the fog illustration.JavaScript seems to be disabled in your browser.

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Examples of Personification for Kids

We know Sandburg isn't all that crazy about rhyme scheme and all the devices that go along with them. Sure you may see a few in some of his poems, but they're not the prevailing elements. However, there are a few subtle sound patterns that we can hear in "Fog.

For example, line 2 has those "little cat feet" that sound the same way they look. The repetition of that T sound in those three words is not only an example of consonance but also has a staccato short and choppy sound that makes us think of tiny kitty paws.

So we may have some onomatopoeia going on in that phrase that mimics the creeping pitter-pattering sound of a kitty walking. Line 6 also sounds the way it looks and feels too: "and then moves on. The cat-fog is mysterious, after all, and the sound of this poem helps to get that point across. The poem's title—"Fog"—is just as short and simple as the poem itself. It doesn't waste any time and makes the most of its contribution to the poem.

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No need to dress it up with fancy words and obscure terminologies. The poem's about "fog" so might as well use a title that avoids any confusion. Interestingly, although the title gets right to the point, the "point" is still a mysterious one, since fog is by nature rather unpredictable and a little dangerous.

So, even though the title doesn't create any illusions as to what the poem is about, it still sets us up for some imagery and language that serves to capture that elusive movement of fog. Since it's quite foggy in these parts, and we know the fog hovers over "harbor and city" we can assume we're in a place that has these kinds of weather patterns.

We don't get any specifics as to the name of this particular city, but we don't really need any. Fog tends to look and feel the same no matter where you go. But perspective matters in this poem, so although it's foggy, we also know that the speaker is watching the fog in a place that allows him to see its approach. So maybe we're in a city with skyscrapers, Chicago perhaps the collection that this poem appears in is called Chicago Poemswhere we know there's fog, harbors, and spots where people can watch weather patterns roll in from.

And that backdrop of the city is really what helps to establish the tension in this poem. The fog comes mysteriously creeping in, around a whole city of unsuspecting people. Is it dangerous? What will it do to them? Ah, nothing as it turns out —but the city setting is what allows for the hint of threat in the first place. Our speaker is an observer just like us. He's got an active voice that places us right in the front seat as we watch the fog's approach and eventual departure. He speaks in a present tense that makes us feel as if we're in the moment even more.

And he's not trying to speak over our heads about anything. He kind of sounds like us, only he's got some poetic chops that provide some awesome metaphors and imagery. He's also very casual and cool about the whole thing while still managing to capture those different emotions we may feel while watching the fog. So although he's not crying or yelling at us about anything, his coolness adds to the poignancy of his words even more.

Fog is transcendent. It muffles our world, and inspires our artists

Sometimes a whisper carries much further than a shout. It's not just the length of the poem that makes it relatively easy for us to digest. It's also the language and the ease with which the speaker tells the poem. The words aren't too daunting, and since it's free verse, we don't feel bogged down by all the literary devices that come with some more technical types of form and meter.This website uses cookies to ensure you get the best experience.

Learn more Got it! Personification is when you give an animal or object qualities or abilities that only a human can have.

This creative literary tool adds interest and fun to poems or stories. Personification is what writers use to bring non-human things to life. It helps us better understand the writer's message. The following are some everyday examples of personification you'll hear people say, or see in a book.

Each example shows an object exhibiting a human character trait. There are many examples of personification in literature. The first example is from Carl Sandburg 's "The Fog. The fog comes on little cat feet. It sits looking over harbor and city on silent haunches and then moves on.

The next example is from the popular nursery rhyme "Hey Diddle Diddle. This includes laughing and running. Hey, diddle, diddle, The cat and the fiddle, The cow jumped over the moon; The little dog laughed To see such sport, And the dish ran away with the spoon.

The following example is from James Stephens' "Check". In this example, night is given the human qualities of creeping and being silent. In this story, the tree has many human emotions and traits.

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The tree can talk. The tree can give things to the boy and the tree can experience sadness and joy. The main character Ivan is a gorilla that is given human qualities. The following lines make it seem like he thinks and expresses himself like a human. I think for a while. It's hard to put into words. Gorillas are not complainers. We're dreamers, poets, philosophers, nap takers. In this book, the crayons feel emotions and act like humans.

The crayons express that they had enough of drawing and quit. I have to color all the Santas at Christmas and all the hearts on Valentine's Day.

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I need a rest. Personification is commonly used in advertising. You will see examples both in print and in television commercials. The following are some examples. There are also a variety of characters used in ads that are perfect examples of personification.It is a device that we employ in our day-to-day speech. Therefore, a hyperbole is an unreal exaggeration to emphasize the real situation. Some other common Hyperbole examples are given below. It is important not to confuse hyperbole with simile and metaphor.

It does make a comparisonlike simile and metaphor. Rather, hyperbole has a humorous effect created by an overstatement. Let us see some examples from Classical English literature in which hyperbole was used successfully. In one instance, he exaggerates winter by saying:. Late at night, it got so frigid that all spoken words froze solid afore they could be heard. People had to wait until sunup to find out what folks were talking about the night before.

Freezing of the spoken words at night in winter, and then warming them up in the warmth of the sun during the day are examples of hyperbole, which has been effectively used in this short excerpt from an American folktale. This my hand will rather The multitudinous seas incarnadine, Making the green one red. Macbeth, the tragic herofeels the unbearable prick of his conscience after killing the king. He regrets his sin, and believes that even the oceans of the greatest magnitude cannot wash the blood of the king off his hands.

We can see the effective use of hyperboles in the given lines. The use of hyperbole can be seen in the above lines in the meeting of China and Africa, the jumping of the river over the mountain, the singing of salmon in the street, and the ocean being folded and hung up to dry are exaggerations, not possible in real life. Can you give us a room with a view? This is a poem by William Blake in which he uses exaggerated personification of sunflowers, which is akin to hyperbole.

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The poet Robert Burns gives many examples of hyperbole in this piece. The poet says that he would love his beloved until the seas are dried up, and the rocks are melted.

The above arguments make clear the use of hyperbole. In our daily conversation, we use hyperbole to create an amusing effect, or to emphasize our meaning. However, in literature it has very serious implications.

By using hyperbole, a writer or a poet makes common human feelings remarkable and intense to such an extent that they do not remain ordinary. In literature, usage of hyperbole develops contrasts. When one thing is described with an over-statement, and the other thing is presented normally, a striking contrast is developed.


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